Blackmagic have slowly but surely been whittling away the old DaVinci look – and some of the annoyances, like having to exit the programme to change which directories you looked for media in.Įven in beta form, it’s obvious that editing in Resolve is now much faster. There are nice new fonts and a change of colour scheme, and it all looks very modern. The first thing you notice about version 12 is that it had undergone a bit of a facelift. BLACKMAGIC DESIGN DAVINCI RESOLVE 12 LITE SPECS FREEPersonally I would prefer a single application that enables Studio’s features if the dongle is plugged in, but otherwise works as the free version. The one thing that has always bugged me it that there are two, separate programs for the two versions. The free version wasn’t particularly ‘lite’, so this better reflects the capabilities of the two versions. The old ‘Lite’ version is now just DaVinci Resolve and the fully featured version is now Resolve Studio. At the time of writing, v12 was a ‘public beta’ – we don’t usually review beta software, but in this case Blackmagic’s claims were too interesting to ignore.īlackmagic have changed the names of the two versions of Resolve. BLACKMAGIC DESIGN DAVINCI RESOLVE 12 LITE SPECS TVThe latest release, Resolve 12, is being touted by Blackmagic as a real Non-Linear Editor – something you could edit a feature film or TV programme in, and then, of course, grade it in the same application. It didn’t have the feature set that an editor needs nowadays and, particularly with larger projects, it became sluggish and annoying. Sadly, the answer was a pretty resounding “no”. The question was, could you start an edit in Resolve? Would it be possible to use Resolve as the only NLE for your prime-time TV show, or your latest Bollywood blockbuster? So the previous release of Resolve, version 11, had a reasonable editor – certainly enough to do minor changes without having to go back to the off-line – and the editor was available in the free version. At some point, you must get to a tipping point, and you start to develop the NLE features for their own sake. So some of the abilities of an NLE kinda had to be there, to make a useful grading system.Īnd as the capabilities of the ‘source’ NLEs expanded it was useful if Resolve kept up with those new capabilities. Grading software, like Resolve, always had to ‘understand’ the edit imported from Avid, or FCP or whatever, and it’s useful to have the user interface to allow the edit to be tweaked once it gets in to on-line – as a grader friend of mine once said, “If you ever find a Director who actually locks picture, please give her my name and number.” My theory is that, a few years ago, Blackmagic Design realised that Resolve was turning into a Non-Linear Video Editor – almost by accident. ADAM GARSTONE says hello and welcome to my studio. BLACKMAGIC DESIGN DAVINCI RESOLVE 12 LITE SPECS MOVIEWhat can you say to a free piece of software that not only will grade your movie but now will also edit it as well.
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